關於經典的兩人英語對話
口語教學是初中英語教學的重要組成部分,所以,重視口語教學是英語教學的必然要求。本站小編整理了關於經典的兩人英語對話，歡迎閱讀!
J: William Wordsworth 's poem is so beautiful that I can scarcely take my eye off it.
J:威廉華茲華斯的詩真是太美了，以至於我難以把目光從他的詩上移開。
V; His poem is full of emotion，just like The Solitary Reaper. When many poets at his time still wrote about ancient heroes in grandiloquent style, Wordsworth focused on the nature, children, the poor, common people.
V:華茲華斯的詩歌充滿了情感，就像這首《狐獨的割麥女》。當他那個年代的很多詩人還在用浮誇的風格描寫古代英雄時，華茲華斯卻關窪自然、孩子、窮人和普通人。
J: Exactly, and he used ordinary words to express bis personal feelings. His definition of poetry is “the spontaneous overflow of powerful feelings'
J:確實是，他用樸實的語言表達個人感情。他對詩歌的定義是"強烈感情的自然流露."
V: A man's interest is influenced by the surroundings. The magnificent landscape of Wordsworth's hometown deeply affected him and gave him a love of nature.
V: 一個人的興趣是受到環境的影響的。故鄉壯麗的風景深深地打動了華茲華斯，他對自然充滿了 愛。
J: As a writer Wordsworth made his debut in 1787，when he published a sonnet in The European Magazine. In that same year he entered St. John’s College, Cambridge, from where he took his B.A. in 1791.
J：當華茲華斯1787年在《歐洲雜誌》發表了一首 十四行詩時，他的作家生涯就開啓了。同年他進 人劍橋大學聖約翰學院學習，並在1791年獲得 學士學位。
V： When he was in Cambridge, he went on a walking tour
V:華茲華斯還在劍橋唸書時，就在1790年的暑假 到爆發大革命的法國和瑞士徒步旅行。
J: Revolutionary fervor in France made a powerful impact on the young Wordsworth. His French experience was a powerful factor in turning his inbred sympathy to plain common people,
J：年輕的華茲華斯深受法國革命熱潮的影響。華茲華斯生性善良，他在法國的經歷 使得他對貧苦大衆更加同情。
V: When Wordsworth’s political ideas and poetic talent were beginning to take shape, he fell passionately in love with a French girl.
V:當華茲華斯開始展露政治抱負和詩人才能時，他瘋狂地愛一上了一位法國姑娘。
J： Yes. It happened on his second journey in France. Wordsworth had an affair with Annette Vallon by whom he had an illegitimate daughter Anne Caroline.
J：是的，這發生在他的第二次法國之行。華茲華斯和阿內特瓦隆關係暖眛，並育 有一個私生女安妮卡洛琳。
V: The affair was basis of one of his poems, but otherwise Wordsworth did his best to hide the affair from posterity.
V：這段感情是他的一首詩歌的靈感來源，但除此之外，華茲華斯極力向他的後人隱 瞞這一段感情。
J; After his journeys, Wordsworth spent several aimless and unhappy years until he met Coleridge in 1795.
J:這段旅程結束後，華茲華斯度過了幾年渾渾噩噩、鬱鬱寡歡的時光，直到他在 1795年遇到柯勒律治。
V： And Wordsworth^ financial situation became better in 1795 when he received a legacy and was able to settle at Racedown, Dorset, with his sister Dorothy.
V:同樣是在1795年，華茲華斯繼承了一筆遺產，經濟狀況得到了好轉。他和妹妹 多蘿西可以定居在多塞特郡的雷斯唐農莊。
J： Encouraged by Coleridge and stimulated by the close contact with nature, Wordsworth composed his masterwork, Lyrical Ballads with Coleridge.
J:和大自然的親密接觸激發了華茲華斯的靈感，在柯勒律治的鼓勵下，華玆華斯和 他合寫了著名的《抒情歌謠集》。
V： Lyrical Ballads is an important work in the English Romantic Movement, But the volume had neither the name of Wordsworth nor Coleridge as the author. The second edition, published in 1800，had only Wordsworth listed as the author
V:《抒情歌瑤集》是英國浪漫主義運動中的一部重要作品。但是這卷詩集並沒有署 上華茲華斯和柯勒律治的名字。1800年出版的第二版也只把華茲華斯列爲作者。
J: The winter 1798-99 Wordsworth spent with his sister and Coleridge in Germany. And due to the homesickness, he and his sister moved back to England, settled in Dove Cottage, Grasmere, in the Lake District.
J: 1798 ~ 1799車的冬天，華茲華斯和他的妹妹以及柯勒律治是在德國度過的。由於思鄉心切，他和妹妹回到了英格蘭，並定居在格拉斯米爾湖區的銷舍。
V： This time he was accompanied by fellow poet Robert Southey nearby. And Wordsworth, Coleridge and Southey came to be known as the “Lake Poets”.
V:這一次陪伴他的是住在附近的詩人羅伯特騷塞。華茲華斯、柯勒律治和騷塞被 並稱爲“湖畔詩人一’。
J： Wordsworth’s path-breaking works were produced between 1797 and 1808. Through this period, many of his poems revolved around themes of death, endurance, separation and grief.
J:華玆華斯具有開創性的作品寫於1797 ~ 1808年。在這段時期內，他的很多詰作 都是圍繞着死亡、忍耐、分離和悲痛等主題展開的。
V: Wordsworth’s Grasmere period ended in 1813 when he moved to Rydal Mount, Ambleside, where he spent the rest of his life.
V: 1813年，華茲華斯把家搬到安布爾賽德的賴德爾山，並在此度過餘生，結束了他 在格拉斯米爾湖區的定居生活。
關於經典的兩人英語對話篇二M： Lucy, what are you reading?
M:露西，你在讀什麼?
L; Childe Hamid 's Pilgrimage, the talented poem of Lord Byron.
L：拜倫勳爵的天才詰作《恰爾德咍羅德遊記》。
M： You mean Lord George Gordon Byron, the playboy?
M:你指的是花花公子喬治戈登拜倫勳爵?
L: Yes，it is him. He did have a lot of love-affairs during his short life. But he is a poet of overflowing brilliance in the first place.
L：是的，就是他。在其短暫的一生中，他的確有很多風流韻事，但他畢竟是一個才 華橫溢的詩人。
M: Indeed. Byron is a household name. His works, Childe Harold fs Pilgrimage and Don Juan are well-known.
M：的確是這樣。拜倫是個家喻戶曉的名字。他的作 品《恰爾德羅德遊記》和《唐璜》很有名。
L： Besides this, there are many romances about him that are well-known even when he was in Harrow.
L:拜倫的私生活也很引人注目，當他還在哈羅公學 唸書時，他的愛情故事就廣爲人知。
M: His complicated relationship with women may have been influenced by his childhood experience. At home Byron’s alcoholic governess made sexual advances when he was nine.
M:他和女性的複雜關係可能是受童年經歷的影響，當拜倫只有9歲時，嗜酒成性的女家庭敎師就對 他進行了性侵犯。
L： And according to some sources，Byron was also seduced by the lord who rented his mansion before he inherited it.
L: 一些資料表明，他還受到過一個貴族的引誘，後者在拜倫繼承房產前曾租住在他家。
M： At Cambridge, he even aroused alarm with bisexual love affairs.
M:在劍橋時，拜倫甚至還因雙性戀風流韻事引起了 公衆的恐慌。
L: When he was in Cambridge, he wasn't a hardworking student, but he read many books on history, literature and philosophy. And he spent his leisure time on drinking, hunting0, shooting and swimming.
L:在劍橋唸書時，拜倫並不是一個刻苦學習的學生，但他讀了很多歷史、文學和哲 學等方面的書。而他的閒暇時間則用在喝酒、打獵、射擊和游泳上。
M： Byron’s first two cantos of Childe Harold’s Pilgrimage became blockbusters when they were published.
M:拜倫的《恰爾德?哈羅德遊記》的頭兩章出版後，曾轟動一時。
L: He became an adored character of London society. He spoke in the House of Lords effectively on liberal themes, and had a hectic relationship with Lady Caroline Lamb.
L:拜倫成爲倫敦社會的寵兒。他在上議院就“自由"這一主題高效地闡述了自己的 觀點，還和卡羅琳蘭姆夫人有過一段熾熱的愛情。
M: But Byron married Anne Isabella MiLbanke in 1815, and their daughter Ada was born in the same year. The marriage was unhappy, and they obtained legal separation next year.
M:但是拜倫在1815年和安妮伊莎貝拉米爾班克結婚。同年，他們的女兒艾達出生。 不過這段婚姻並不幸福，在第二年，他們就分居了。
L: When the minors of his incest with his half-sister, Augusta and accumulating debts started to rise, Byron left England in 1816, never to return.
L:當關於他和同父異母的姐姐奧古斯塔亂倫以及債務不斷攀升的謠言開始廣泛傳播 後，拜倫於1816年離開了英格蘭，就再也沒有回來了。
M: “The only virtue they honor in England is hypocrisy," he once wrote a friend.
M:拜倫有一次寫信結朋友，說道："在英格蘭，人們唯一推崇的美德就是虛僞。”
L： Byron settled in Geneva with Percy Bysshe Shelley, Mary Shelley and Claire Clairmont, who became his mistress. There he wrote the two cantos of Childe Harold and The Prisoner of Chillon.
L:拜倫和珀西比希雪萊、瑪麗?雪萊以及其情婦克萊爾克萊蒙特一起定居在日內 瓦。在那裏他創作了《恰爾德哈羅德遊記》的另外兩個章節和 < 錫隆的囚徒>。
M： At the end of the summer Byron decided to continue his travels, spending two years in Italy. While staying in Venice Byron proudly claimed he had different woman on 200 consecutive evenings.
M:夏末，拜倫決定繼續他的旅行，花兩年時間去遊歷意大利。待在威尼斯時，拜倫 驕慠地宣佈連續200個晚上都有不同的女人和他共度良宵。
L： During the years in Italy, Byron wrote The Lament of Tasso and started Don Juan, his satiric masterpiece.
L:在遊歷意大利的年月裏,拜倫撰寫了 <塔克的哀歌>，並開始創作諷刺詩代表作《唐 璃》。
M: After a long creative period, Byron had come to feel that action was more important than poetry. He armed a brig, the Hercules, and sailed to Greece to aid the Greeks, who had risen against their Ottoman overlords.
M:經過長時間的創作後，拜倫發覺行動比詩歌更重要。幹是他駕着英國大船‘‘赫拉 克勒斯號"前往希臘，協助希臘人反抗土耳其領主。
L： However, before he saw any serious military action, Byron contracted a fever from which he died in Missolonghi on 19 April 1824.
L:然而，在拜倫目睹任何正規的軍事活動之前，他就發了高燒，並因此於1824年 4月19日在梅索朗吉昂辭世。
M: Byron’s body was returned to England but refused by the deans of both Westminster and St Paul’s. Finally Byron's coffin was placed in the family vault at Hucknall Torkard, near Newstead Abbey in Nottinghamshire.
M:拜倫的遺體被運回英格蘭，但威斯敏斯特敎堂和聖保羅教堂的主教都拒絕把他的 遺體安葬入內。最終拜倫的棺木被安葬在諾丁漢郡紐斯臺德修道院附近赫克諾爾 的家族墓穴內。
關於經典的兩人英語對話篇三M:John Milton is a genius. His masterpieces Paradise Lost、Paradise Regained and Samson Agonistes are pearls of world literature.
M:約翰彌爾頓真是個天才。他的傑作 < 失樂園》、<復樂園》和《力士參孫 > 是世 界文學的明珠。
L:I cannot agree with you more. The works of today’s poets are not half as brilliant as those of Milton. And he excels in languages studying, too. He can speak and write in Greek, Latin, and Italian.
L:我非常同意你的觀點。現在很多詩人的作品 遠不如彌爾頓的精彩。彌爾頓還精通多種語 言。他通曉希臘語、拉丁語和意大利語。
M:Milton is a life-long student. His schooling started at home before he went to read the works of Homer and Virgil in Greek and Latin at St Paul’s School in London.
M:彌爾頓終身都在學習。在他到倫敦聖保羅學 校學習希臘語的荷馬著作和拉丁語的維吉爾 著作之前，他在家裏就開始學習了。
L: And he entered Christ’s College, Cambridge in 1625 with the intent to become a minister.
L: 1625年，他抱着要當牧師的念頭考人了劍橋大學基督學院。
M: But Milton did not adjust to university life. He was called, half in scorn, “The Lady of Christ’s”.
M;但是彌爾頓並不適應大學生活。同學們半帶蔑視地稱他爲"基督學院的女士。”
L: While Milton was a hardworking student, he was also argumentative. Only a year later, in 1626, he got suspended after a dispute with his tutor.
L:雖然彌爾頓是一個刻苦學習的學生，他卻喜歡和老師爭論。入學後僅一年，也就 是1926年，由於與導師產生了矛盾，他被迫輟學。
M; During his temporary return to London, Milton attended plays, and began his first forays into poetry.
M:在彌爾頓暫返倫敦的這段時間裏，他參加了戲劇演出，並開始嘗試寫詰。
L: At his return to Cambridge, Milton was assigned a new tutor. But life at Cambridge was still not easy on Milton; he felt he was disliked by many of his fellow students and he was dissatisfied with the curriculum.
L:回到劍橋後，校方爲彌爾頓重選了 一個新導師。但彌爾頓仍感到在劍橋大學生活 不易。他覺得許多同學都不喜歡他，對課程設置也不滿意。
M: But he did learn a lot in Cambridge. It was at Cambridge that he composed “On the Morning of Christ’s Nativity”，
M:但是彌爾頓的確在劍橋學到了很多東西。《基督誕生的早晨》這首諳正是他在劍 橋創作的。
L:You’re quite right. Upon graduation in 1632 with a Master of Arts degree, he retired to the family homes, for years of private study and literary composition.
L:你說得很對。1632年畢業拿到文學學士學位後，彌爾頓退隱家中，花費數年時 間自學和創作文學。
M:That’s true. Milton had given up his plan to become a priest. He adopted no profession but spent six years at leisure in his father’s home, writing literary works.
M:的確如此。彌爾頓放棄了成爲牧師的計劃。他沒有找任何工作，6年來的閒暇時 光都待在父親的房子裏，進行文學創作。
L:At the same time Milton decided to further his studies in languages including Hebrew. And he travelled many countries in the late 1630s where he immersed himself in their history and culture.
L:同時彌爾頓決定加強語言學習，包括希伯來語的學習。17世紀30年代晚期，他 去了很多國家旅遊，並沉浸於所到國家的歷史和文化之中。
M:He met many prominent learned men during the travelling including Galileo Galilei.
M:在旅行中，他遇到了包括伽利略伽利雷在內的很多傑出的博學之人。
L:Yes, he also had a long and meaningful conversation with Galileo Galilei. Their conversation was recorded in his celebrated plea for a free speech and free discussion, AREOPAGITICA (On Liberty).
L:是的。他還和伽利略伽利雷有過一次長時間富有意義的談話。他們的對話被記 錄在彌爾頓著名的呼籲自由演講和討論的《論自由》一書中。
M:And I remember that there are references to Galileo’s telescope in Paradise Lost.
M:我還記得彌爾頓在《失樂園》中也談到了伽利略的望遠鏡。
L:The intense work of translating and writing created much strain on his eyes and by 1652 he was entirely blind and relied on the assistance of other people,
L:翻譯和寫作的高強度工作使他的眼睛不堪重負，到了 1652年，他已經完全失明瞭， 要依賴別人的幫助才能工作。
M: But it seems that Milton was not unduly grieved by his loss of sight. Instead, blindness helped him to stimulate his verbal richness.
M:但是彌爾頓對於自己的失明似乎並不怎麼傷心。相反，失明有肋於刺激他語言的 表達。
L： He sacrificed his sight, and then he remembered his first desire, that of being a poet. During the plague years he left London and lived in a cottage in the village of Chalfont St Giles, Buckinghamshire.
L:彌爾頓雖然失明瞭，但是他想起了他最初的夢想，那就是成爲一名詩人。在倫敦 大瘡疫期間，他離開倫敦，住在了白金漢郡查爾芬特聖賈爾斯村子的一個小屋裏。
M： It was here that Milton prepared for publication Paradise Lost and Paradise Regained.
M:正是在這裏，彌爾頓創作書了(失樂園》和《復樂園》，並準備出版。
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